A brief sample of published and personal work

Haloscope Magazine

• Was Jonathan Anderson’s Costume Design in Challengers Just a Drop Shot?

• Kim Shui Misses Gold

• 3.1 Phillip Lim, Always Forever Baby!

• At Ann Demeulemeester, Rumours and Blue Jeans

• Kiko Kostadinov is Going Places — Literally

• How Horror Films Instructed Alexander McQueen

Variety

• Why the Owner of the Shop That Inspired The Bear Hasn’t Seen the Show: ‘Somebody’s Still Got to Make Beef’

• What’s Love Got to Do With It at 30: Angela Bassett Remembers Becoming Tina Turner

• Costume Designers Call for Pay Equity: ‘Our Work Is On the Most Important Real Estate in the Frame

• Sex and the City Author Candace Bushnell Reflects on Show’s 25-Year Legacy

• ‘Menéndez + Menudo: Boys Betrayed’ EP Unpacks the Explosive Sexual Abuse Claims Against the Boy Band’s Creator

• Salma Hayek and Jose Tamez Tackle Trans Acceptance and Mexican Traditions in El Sabor de la Navidad

• Minx Costume Designer on Crafting a 1973 Fantasy Wardrobe, From ‘Porno Watergate’ to Joan Didion

• John Wilson Talks ‘Existential Themes,’ Nathan Fielder and the Final Season of How To

• Striking Writers and Actors Vow to Keep Up the Fight: ‘We’re Digging Our Heels in Harder’

• Sanctuary: How Micah Bloomberg’s One-Act Play Became a Sadistically Thrilling Rom-Com

• Monica Barbaro on Fubar and Her Father-Daughter Dynamic With Co-Star Arnold Schwarzenegger

• Industry Leaders Talk Technology and Business Innovation — and When It’s Better to Be a Fast Follower

• Jury Duty Casting Director Got ‘Really Lucky’ Finding Fake Jurors: ‘The Whole Show Was a Big Crapshoot’

• Smashing Pumpkins’ Album Release Show: Billy Corgan Reveals Origins of ‘1979’ and How He Brought Wrestling on Tour

• Megachurches, Mission Trips and White Saviors: HBO’s Savior Complex’ Dissects How Renee Bach Caused Havoc in Uganda

• Angus Cloud Remembered by Director of His Upcoming Feature: ‘It’s Not Even My Film Anymore, It’s Really for Him’

• Why Mother, Couch Director Niclas Larsson Rewatched Freaky Friday and 13 Going on 30 Before Filming His TIFF Debut Feature

Coursework - Loyola Marymount University

• The Supervillain Who Saved Rap

• Castles Made of Sand: The Watts Towers, Art and Affliction

• Count on the Ballroom

Sparky

• KALI Makes Another Addition to Her Dreamy Debut EP with "Lucy" 

• Penny Roox Knows How to Make a “Mean” Debut Single

• Planet Giza Proves There’s No Limits to Hip-Hop

• Wallice Anticipates Life After 22 with New Single "23"

• "Glitra" Shows That All That Glitters Really Is Gold

• Charlotte Rose Benjamin is Sitting In The "Cumbie's Parking Lot"

• “We Speak of Tides” and Other Things with Aziya

• From the Guest House to the Sun Room

WHUS Radio

• UConn and Mansfield’s off-campus housing dilemma persists

• How UConn promotes safer-sex on campus

• UConn refuses to remain silent amidst racism on campus

• Beth Macy speaks on the opioid crisis for UConn’s Suicide Prevention Week